n the remotest reaches of Central Asia where rival groups war over oil, a minor god is chained to a mountainside. Unfolding in a series of conversations with his unlikely friend the eagle, who visits every day to carry out a gruesome sentence of torture, Tongues I follows the titan’s pursuit of revenge on the god that imprisoned him.
Entwined with their story are those of Astrid, a teenage East African orphan on an errand of murder, and a man with a teddy bear strapped to his back wandering aimlessly in the wilderness. Tongues I is a postmodern, apocalyptic reimagining of Prometheus' story, here a fallible god failing in his duty as the creator and protector of humanity. A visual meditation on our deep evolutionary past and our complicated prospects for the future, Tongues I is both a propulsive story of adventure and an examination of human nature in our present moment.
